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Spiritual or Theatrical? A Chat with Laura Linney
By
jmcgee
Laura Marshall (Laura Linney), an extreme religious fundamentalist, is the villain in “Driving Lessons,” a semi-autobiographical comedy written and directed by Jeremy Brock. But is Brock, who also incorporated spirituality into his adaptation of “The Last King of Scotland” (co-written with Peter Morgan), commenting on what he sees as the repressive nature of that type…
Searching for Magic and Mystery in “The Prestige”
By
Kris Rasmussen
It’s a little surprising to me that not one, but two movies centered around magical illusion as an art form have made their ways into theaters in the last few months. Edward Norton’s “The Illusionist” came and went rather quickly last summer, but last weekend’s opening of director Christopher Nolan’s (“Memento”) “The Prestige” was considerably…
“Jesus Camp”: A Second Opinion
By
Donna Freitas
The documentary “Jesus Camp” directed by Heidi Ewing and Rachel Grady finally rolled around to my neck of the woods (Burlington, VT) this weekend. I was eager to see if the film was as “frightening” as so many journalists and reviewers have claimed, and if so, what exactly was so scary. (I would like to…
No Flash in the Pancreas
By
Paul O'Donnell
Full disclosure: I’ve never been much of an Audio Adrenaline fan. First of all the name. Adrenaline is a hormone, a glandular fluid that enters the bloodstream for a short-term or circumscribed effect. It didn’t promise much in the way of introspection, which I am a fan of, even in rock music; nor did it…
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