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The Jazz Theologian
Kind of Blue (part 4–in conclusion)
By
Robert Gelinas
"The parallels between the lives of African-Americans battling for their freedom as citizens and that of jazz musicians for their freedom from European harmony are too close to be mere happenstance." Jazz icon, Miles Davis, used to play with his back to the audience. To whites it was offensive. To blacks it was empowering. If…
Finding The Groove Live!–Last Night
By
Robert Gelinas
Wow, it's hard to believe that once a month for the last eight months we have gathered at The Soiled Dove Underground for Finding the Groove Live. Each night we packed the room to experience great music and to think deeply about following Jesus. Tonight, we'll consider what it means to accept the call…
Kind of Blue (part 3)
By
Robert Gelinas
Pre-Kind Of Blue, that is 1959, Conformity was a way of seeking acceptance in America. Jazz musicians needed to make clear the fierce intelligence that was necessary to play [jazz]. The greater society thought of jazz as merely an offshoot of the so-called natural sense of rhythm of African-Americans and believed that it lacked the…
Kind Of Blue (part 2)
By
Robert Gelinas
America in the 1950's–All a matter of perspective. The war was over, suburbia was being invented and the American dream was being pursued…by some For black America, the 1950's were a decade of emergence. After 90 years of not being slaves and yet not being citizens either, something had to give. The dehumanization of separate…
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