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The Jazz Theologian
What Color Is Jesus–A case study in jazz theology (part 4)
By
Robert Gelinas
(Todays post is a bit long but I wanted to keep the continuity of thought) "Jesus Is Black," said James Cone in 1975 as he interpreted Matthew 25. "Christ's blackness is the American expression of the truth of his parable about the Last Judgement: "Truly, I say to you, as you did it not to…
What Color is Jesus?–A case study in jazz theology (part 3)
By
Robert Gelinas
Let's let one of my favorte jazz theologians take a solo for the next two posts. James Cone is a bit controversial but he'll had some creative tension to the conversation In 1975, Cone, wrote, "If twentieth-century Christians are to speak the truth for their sociohistorical situation, they cannot merely repeat the story of what…
What Color is Jesus–A case study in jazz theology (part2)
By
Robert Gelinas
Nice to see we had a few brave souls chime in… So that we can do theology in concert together, lwe need to make sure we are all playing the same song. Listen to the words of our composer: "For I was hungry and you gave me something to eat, I was thirsty and you…
What Color is Jesus–A case study in jazz theology (part 1)
By
Robert Gelinas
I feel like doing a little jazz theology. Here's the question: What color is Jesus?How would you go about answering that question? Do you even like the question? Is there anything to be gained by knowing the answer? This is jazz…everybody has a role, so don't be shy post and comment. (This series of posts…
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