The Paris Olympics Opening Ceremony has ignited a storm of controversy among Christians, drawing significant backlash due to what many perceive as a deeply offensive portrayal of sacred religious themes. The opening spectacle featured several provocative elements, including a reenactment of Leonardo da Vinci’s The Last Supper with a modern twist that many found disrespectful and blasphemous.

At the heart of the controversy was a performance that presented The Last Supper with a notable deviation from its traditional portrayal. A woman wearing a crown assumed the role of Jesus, while men in drag represented the disciples. Adding to the contentious nature of the depiction, one of the performers, a bearded man with long, blonde hair, danced suggestively down a catwalk situated in front of the Last Supper table. A young girl stood near the performers, adding another layer to the already complex scene.

This display was set against the backdrop of the Seine River, with the iconic Eiffel Tower in view, amplifying its visibility and, consequently, the outcry it generated. The song King blared during the performance, which further heightened the dramatic and contentious atmosphere. The reaction from the Christian community was swift and fierce. Many viewed the performance as a direct affront to their beliefs, finding it not only inappropriate but also intentionally provocative. Social commentators and public figures alike condemned the display, describing it as blasphemous and satanic.

One notable voice was Harrison Butker, a kicker for the Kansas City Chiefs, who took to social media to share a Bible verse from Galatians 6:7-8, emphasizing that God is not mocked and warning that “those who soweth in the flesh shall reap corruption.”  Abby Johnson, a former Planned Parenthood clinic director turned women’s advocate and host of the Politely Rude podcast, also voiced her strong disapproval. Johnson criticized the depiction of Jesus and His disciples, asserting that such acts openly degrade and mock Christian beliefs, yet Christians are often labeled as intolerant for expressing their dissent.

Adding fuel to the fire, the decision to feature three drag queens — Nicky Doll, Miss Martini, and Minima Gesté — as torchbearers further incensed many in the Christian community. Johnson, among others, pointed out the irony in choosing drag performers over real women to carry the Olympic flame, suggesting that it was a deliberate move to challenge traditional values. This incident has prompted some to call for a boycott of the Olympics, expressing that such displays should not be tolerated. The blending of religious symbolism with elements that starkly contrast traditional Christian values was seen by many as a step too far, crossing the line from artistic expression into outright mockery.

The broader implications of this controversy reflect ongoing cultural tensions. On one side are those who advocate for more progressive and inclusive representations in public spectacles. On the other are those who feel that their sacred symbols and beliefs are being trampled upon in the name of art and inclusivity.

As the dust settles, it remains clear that the Paris Olympics Opening Ceremony has struck a nerve, highlighting the delicate balance between artistic freedom and respect for deeply held religious convictions. For Christians, the display was more than just a performance; it was a stark reminder of the ongoing cultural battles that challenge their faith and values in the modern world. Organizers of the Olympics apologized for the performance. “Clearly, there was never an intention to show disrespect to any religious group,” spokeswoman Anne Descamps told reporters. “If people have taken any offense, we are, of course, really, really sorry.”