Hollywood is set to release anti-war propaganda in the fall. It’s their thank you to our soldiers for putting their life on the line to protect our freedom to even diss the very people who continue to lose their life protecting it. They are about to turn our soldiers into killers without a future:

On a night four years ago, five soldiers back from three months in Iraq went drinking at a Hooters restaurant and a topless bar near Fort Benning, Ga.
Before the night was over, one of them, Specialist Richard R. Davis, was dead of at least 33 stab wounds, his body doused with lighter fluid and burned. Two of the group would eventually be convicted of the murder, another pleaded guilty to manslaughter, and the last confessed to concealing the crime.
Now some in Hollywood want moviegoers to decide if the killing is emblematic of a war gone bad, part of a new and perhaps risky willingness in the entertainment business to push even the touchiest debates about post-9/11 security, Iraq and the troops’ status from the confines of documentaries into the realm of mainstream political drama.
On Sept. 14, Warner Independent Pictures expects to release “In the Valley of Elah,” a drama inspired by the Davis murder, written and directed by Paul Haggis, whose “Crash” won the Academy Award for best picture in 2006. The film stars Tommy Lee Jones as a retired veteran who defies Army bureaucrats and local officials in a search for his son’s killers. In one of the movie’s defining images, the American flag is flown upside down in the heartland, the signal of extreme distress.
[…]
Still, Mr. Haggis insisted that “Valley of Elah” – the title refers to the site where David fought Goliath – was not intended to enforce his point of view. Rather, he said, it is meant to raise questions about “what it does to these kids” to be deployed in a situation where enemies are often indistinguishable from neutral civilians, and the rules of engagement may force decisions that are difficult to live with.
But whether the case truly speaks for returning veterans will not be easily settled, even with help from Warner Independent. The studio plans to supplement some of its promotional screenings with panel discussions of post-traumatic stress disorder, a factor raised in the movie.
“The issues are similar to what a lot of us are coping with,” said an approving Garett Reppenhagen, an Iraq veteran who saw “Valley of Elah” last week at one of the first such screenings in Washington. Mr. Reppenhagen, a member of Iraq Veterans Against the War, helped recruit viewers for the screening.
By contrast, Dennis Griffee, a wounded veteran who is national commander of the Iraq War Veterans Organization, said he turned down a request to become involved with the film after learning that Susan Sarandon, a vocal opponent of the war, had a prominent role.
“At the very least it is offensive,” Mr. Griffee said of what he sees as a widespread refusal to acknowledge the troops’ pride at achievements in Iraq. He added that virtually every member of his platoon wound up in college, not jail, on return.

Update: Oh. My. Heck! That will teach me to blog before I’ve had my morning cup of tea! No, it was not ant-war propaganda, it was anti-war propaganda. Our readers are obviously either:
1. Unobservant
or
2. Polite
Which is it?